Journal List > J Korean Neuropsychiatr Assoc > v.52(1) > 1017642

Son, Lee, Jung, Jee, and Jung: What is Neuroaesthetics? : A New Paradigm in Psychiatry

Abstract

Neuroaesthetics is an area of research on the essence of aesthetic experience according to the neurobiological perspective. The purpose of this article is to introduce both the important results from some studies based on neuroaesthetics and some neuroaesthetic reports in specific psychiatric disease. Aesthetic experience is thought to be a series of cognitive and affective processes for pursuing aesthetic judgment and aesthetic emotion. According to the present neuroaesthetic studies, the important domains are reward system, embodiment, aesthetic perspective in contrast with practical perspective, sublime, and so on. The neuroaesthetic approach to specific psychiatric disease is just beginning; however, case studies on the sudden appearance of artistic talents in neuropsychiatric patients have been frequently reported. We expect that neuroaesthetics is likely to continue to contribute new knowledge regarding the ultimate causes of various psychiatric diseases and the creativity of many psychiatric patients.

Figures and Tables

Fig. 1
The Intention - Sensation, Knowledge, Emotion framwork acts as a schema for experiencing art.
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Fig. 2
The model of aesthetic experience by Leder et al.17)
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Fig. 3
The results of Kawabata and Zeki.22) Statistical parametric maps rendered onto a standard brain showing judgment-specific activity in comparisons of beautiful vs. ugly (A), beautiful vs. neutral (B), ugly vs. beautiful (C), and ugly vs. neutral (D) (corrected, p<0.05). A: The activity in the medial orbitofrontal cortex only (Talairach coordinates -2, 36, -22). B: The activities in the medial orbitofrontal cortex (-2, 50, -20), anterior cingulate gyrus (-4, 48, 14), and left parietal cortex (-54, -68, 26). C: Somato-motor cortex bilaterally (-4, -26, 60; right 28, -10, 56). D: No activity at corrected significant level.
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Fig. 4
Lucio Fontana. Concetto Spaziale <Atteza> ('Waiting'). 1960. Canvas, Tate Gallery, London, UK.
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Fig. 5
A: Nicolas Poussin. <The Holy Family on Steps>. 1648. Oil on canvas. The Cleveland Museum of Art, Cleveland, USA. B: Vincent van Gogh. <Starry Night>. 1889. Oil on canvas. The Museum of Modern Art, New York, USA. C: The results of Cupchik et al.30) Left superior parietal lobule (-34, -40, 57) was activated relatively more in 'aesthetic-soft' condition. The graph depicts the amplitude of the response in the left superior parietal lobule corresponding to the four experimental (pragmatic-hard, pragmatic-soft, aesthetic-hard, and aesthetic-soft) conditions.
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Fig. 6
Altered functional connectivity between the prefrontal lobe (PFL), inferior parietal lobe (IPL), left anterior temporal lobe (LATL) and cerebellum (Cer) is considered to be at the basis of the autistic pathology.
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Fig. 7
'Unravelling Bolero'.53) The patient painted this picture in 1994, 6 years before primary progressive aphasia symptoms began.
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Notes

The authors have no financial conflicts of interest.

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